The Bootleg Series Vol. R-0400 Gates of Eden - live Philharmonic Hall, New York, 31 Oct 1964, released in 2004 on The Bootleg Series Vol. The complete recording from October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan, it had been widely circulated on pirate tapes for decades. It's got nothing to do with nothing. Bob Dylan Live 1964 Numbered 2 x CD AFZ5230 | Music, CDs | eBay! 10: Another Self Portrait (2013) The Bootleg Series, Vol. Blowin’ in the Wind (Gerdes Folk City – April 16, 1962) Corinna, Corrina (Gerdes Folk City – April 16, 1962) John Brown (New York Town Hall – April 12, 1963) Don’t Think Twice, It’s All Right (New York Town Hall – April 12, 1963) Bob Dylan’s Dream (New York Town Hall – April 12, 1963) Little did we know that the song had also been dropped, along with three others, from the original version of Freewheelin.'. At the Newport Folk Festival in July, two weeks before Another Side appeared, he stuck almost entirely to playing new material, along with one as-yet-unrecorded song that he introduced to an afternoon workshop session as "Hey, Mr. Tambourine Man, Play a Song For Me." 2004 Preview Editors’ Notes He was wearing his Bob Dylan mask, he famously announced at this Halloween 1964 show, but he was actually opening up more and more of himself. One, The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Vol. 5 - Bob Dylan Live 1975: The Rolling Thunder Revue. "Is that a protest song?" Dylan has since recalled how much the criticism of Another Side stung, and how proud he was when, out of the blue, Johnny Cash wrote a stern letter to Sing Out! The second set, featuring four numbers sung in wonderfully ragged close harmony with folk queen Joan Baez, retrospectively looks to be an early … Listen to your favorite songs from The Bootleg Volume 6: Bob Dylan Live 1964 - Concert At Philharmonic Hall by Bob Dylan Now. The Bootleg Series Vol. It brings back a long gone era of intimacy between performer and audience, and the last strains of a self-aware New York bohemia before bohemia became diluted and mass marketed. In the song, the singer knows very well that the object of his affections is no virgin. $23.99. $15.23. The complete recording from October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan, it had been widely circulated on pirate tapes for decades. The new half-electric album appeared in March; by mid-summer, "Like a Rolling Stone" was all over the radio; and in late July came the famous all-electric set at Newport that sparked a civil war among Dylan's fans. Overview. Back in May 1963, Dylan had been booked on the Ed Sullivan Show, the premier Sunday night television variety program, where Elvis Presley had made three breakthrough appearances seven years earlier and had agreed, on the final show, to be shown performing only from the waist up. Live 1964 (Concert At Philharmonic Hall) Recorded October 31, 1964 at Philharmonic Hall, New York City. 19 tracks (87:40). Proclaimed by the leftists as the latest incarnation of Woody Guthrie, a new political cult hero, Dylan had seemed uncomfortable, pleased to be honored but unwilling to accept the heavy mantle that all of these old people, for their own reasons, wanted to thrust upon him; and so, ambivalent and easily misunderstood, he thrust it back. No more Joan Baez. Two of the most pointedly political older songs, interestingly, had never been issued on record, but the audience knew them anyway, and responded enthusiastically. Listen closely, and you will hear some scattered applause approve the sentiment. The Bootleg Series Vol. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. In December 1963, Dylan had offended a leftist New York audience by accepting a free-speech award with some atrociously-wrought, off-the-cuff remarks about hypocrisy, youthful alienation, and how he saw a bit of himself in Lee Harvey Oswald. On a single day in mid-October, Soviet leader Nikita Krushchev was overthrown and Communist China exploded its first atomic bomb. ... Bob Dylan’s Live 1962 ... incandescent moments from the 1964 and 1965 Newport Folk Festivals and more. Had Dylan really written a ballad based on Arthur Koestler's Darkness at Noon? 6: Live 1964 - Concert at Philharmonic Hall, an Album by Bob Dylan. Nobody in the audience had yet heard "If You Gotta Go, Go Now;" and its sly, rollicking account of an it's-now-or-never seduction sent everybody into stitches. The set was well received by most critics, with NME's Rob Fitzpatrick giving it the magazine's highest rating (a 10 out of 10) and calling it "utterly brilliant.". The Bootleg Series Vol. Dylan, a master of timing, did not miss a beat, picked up the line, and then sang the song flawlessly. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall - Bob Dylan on AllMusic Baez sings "Daddy" instead of "Mama." The great majority of his fans, especially his younger fans, seemed to approve. I don't recall hearing this at the time, but now it sounds like another little portent of things to come. The incident sparked public debate about whether boxing should be banned in the United States. (On the tape, some laughter greets Dylan announcement of "It's All Right Ma," as if the song title is a put-on; and he pipes up, "Yes, it's a very funny song.") President Lyndon Johnson managed to push a Civil Rights Bill through the Congress in July 1964; by early autumn, it seemed as if he would trounce the arch-conservative Barry Goldwater in the coming election. Within two years of releasing his first album, Dylan's New York venues had shot ever upward in cachet (and further uptown), from Town Hall to Carnegie Hall and now to the sparkling new home of Leonard Bernstein and the New York Philharmonic. Bob Dylan Live 2008 two (2) CD set. 6: BOB DYLAN LIVE 1964, CONCERT AT PHILHARM. 11,99. Bob Dylan - Live 1964 Concert At Philharmonic Hall 2SACD Bob Dylan - Live 1964 Concert At Philharmonic Hall  AFZ5 230  2SACD Titel Play Disc One 1. Bob Dylan 2 Cd Box Live 1964 Concert At Philharmonic Hall. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. This oft-bootlegged set, recorded on Halloween, 1964, captures Bob Dylan at a pivotal -- and still fascinating -- period in his career. It proves to be another remarkable document from Dylan's extensive bootleg catalog. We in the audience were asking him to be all of that and more, but Dylan was slipping the yoke. He was no longer standing alone with his guitar and harmonica. It brings back a time between his scuffling sets at the downtown clubs and his arena-rock tours of the 1970s and after. By Rob Carson. $40.00. As if he were performing at the Gaslight down in Greenwich Village and not in Philharmonic Hall, Dylan asked the audience to help him out, and it did. But at the time, for those of us who wanted to be as close to the blade's edge of the avant-garde as possible—or as close as we dared—Dylan could do no wrong. Over the summer, the murders in Mississippi of the civil rights workers James Chaney, Andrew Goodman, and Michael Schwerner had created traumas anew. The ninth installment of the ongoing Bob Dylan Bootleg Series, it was released on October 19, 2010 on Legacy Records. Little did he know that Dylan was not simply becoming different; he was also listening to the Beatles. Hij wordt beschouwd als een van de grootste songwriters van de Verenigde Staten in de twintigste eeuw. C2K 86882; CD). If You Gotta Go, Go Now (Or Else You Got to Stay All Night), 9. The songs were recorded on October 26, 1963 at Carnegie Hall in New York City. He chose as his number the satirical " Talkin' John Birch Society Blues. Concerts held at Carnegie Hall and New York's Town Hall, both in 1963, were considered for The Bootleg Series Vol. But I fit all these words together, that's all." Thanks to an excellent tape, presented here for the first time in its entirety, it is now possible to appreciate what happened that night — not just in what Dylan sang, but in what he said, and in the amazing audible rapport he had with his audience. As if to make sure that we knew our place, a man appeared on stage at show time to warn us that there would be no picture-taking or smoking permitted in the house. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is the fourth installment of the Bob Dylan Bootleg Series, released in 2004 on Legacy Records. Casual sex is no longer taboo; the repression surrounding this part of life has lifted. Baez had brought Dylan to the stage during several of her concerts, including one at Forest Hills in August, and now Dylan was returning the compliment. 6: Live 1964. Levering Ophalen of Verzenden Verzendkosten € 3,65. The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965, Gotta Serve Somebody: The Gospel Songs of Bob Dylan, Lost on the River: The New Basement Tapes, https://en.wikipedia.org/w/index.php?title=The_Bootleg_Series_Vol._6:_Bob_Dylan_Live_1964,_Concert_at_Philharmonic_Hall&oldid=979850587, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 September 2020, at 04:18. The Bootleg Series Vol. Dylan was still the great folk-music star, a phenomenon like no other, no matter what he sang. The Bootleg Series Vol. 11: The Basement Tapes Complete (2014) It was a thrilling moment for us in the audience, getting to hear what CBS had forbidden the nation to hear while also exulting in our own political righteousness against the forces of fear and blacklisting. The Beatles, with their odd chords and joyful harmonies, were great, but what was "She Loves You" compared to the long-stemmed word imagery in "Chimes of Freedom"? Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Original event poster reproduced courtesy of Paul Wultz. (To this day, Dylan says, he's held on to his copy of the magazine with Cash's letter in it.) he asked — and E harmonicas came raining out from the crowd and thumped onstage. Dylan was still the raggedy folk messiah, reasonably sober, comical, and lighthearted. A hopeful phase of the decade was quickly winding down, and a scarier phase loomed. It's a smart move and a welcome one, too, as the copyright sets aren't designed for listenability, yet this compilation is, moving briskly from early folk tunes to electrified rock & roll. Tracks & Outtakes. Others were brand new and baffling. The Bootleg Series, Vol. Listening to the tape, my favorite duet from the Philharmonic show is "Mama, You've Been On My Mind." What in God's name is a perfumed gull (or did he sing "curfewed gal")? We would not get the chance to figure the songs out for another five months, when they appeared on Bringing It All Back Home—and even then it would take repeated listenings for any of it to make sense. The burden of being something else — a guru, a political theorist, "the voice of a generation," as he facetiously put it in an interview a few years ago — was too much to ask of anyone. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The Bootleg Series Vol. The world seemed increasingly out of joint during the weeks before the concert. At 13, he attended the Halloween 1964 concert at Philharmonic Hall, his first Dylan show. We wanted more. Format: 3 x Vinyl, LP, Album, 140 Gram. Contents The Times They Are A-Changinâ 2. he joked, elongating the second word into a laugh. Unlike Presley, Dylan would not be censored and he refused to appear. "This is a song about a boxer," he said before he sang it. The album debuted on the Billboard 200 chart on April 17, 2004 at number 28 and spent four weeks on the chart. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It was released in 2004. Bob Dylan LIVE 1964 Hybrid SACD March 18, 2016 from Audio Fidelity Giveaway. But at the time, he outwardly betrayed no injured feelings and kept on writing and performing in his new vein. That Dylan's management booked Philharmonic Hall for its star's biggest show of the year was testimony to his allure. When the expectant audience streamed out of the grungy old mosaic-tiled IRT subway stop at 66th Street, and then crammed into the cavernous gilded theater, it must have looked to the uptowners (and the ushers) like a bizarre invasion of the hipster beatnik young. Download our mobile app now. 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